Dear all,
The draft ideas of my DST project are as follows and I am looking forward to your great opinions on it.
1. Genre and purposes
It is going to be a narrative, achieving two purposes: a) the struggling identity as a half-blooded child of two nationalities in one country; b) a tribute to my mom, a common but great Mongolian woman.
The nationality on my IC in China is Mongolian, however, my father is a Chinese Han and my mother was a Mongolian. The right to be educated in Mongolian was deprived by my father since I was born, as a result I could not speak a single Mongolian word, even though my mom and dad were both able to do so. But sometimes my brother and I were not very welcomed when we were young by cousins from my dad's side, because we were Mongolian, which I was kind of shamed of. However, gradually I realized it's so great to be a Mongolian and my father began to emphasis the good features of Mongolian people that I should learn, especially after my mom passed away from cancer. After reading books about the history, culture and people of the Mongolian ethnic group, I became very proud of being a Mongolian, however, I was shamed again, of not being a real one, who cannot speak the language at all. I have been struggled on my identity a lot.
2. Selection of multimodal artifact
There will be a Mongolian song as the background from the very beginning to the end of the story, which will "cast a mood" of the whole story as Hull and Nelson pointed out in their paper. And Mongolian songs are very typical to bring the views of the grassland and people's lives on it.
The images I will employ will be all still images that I took before and some pictures illustrating cultures, food, scenery downloaded from the Internet.
Narration will apply to relate the images to my own experiences.
However, I am still in the midst to figure out how I am going to pair the images and narration, as the images I have on hand cannot fully express all the meanings of the narration.
3. Arrangement of the DST
a) Title
The title is PROUD of Being a Mongolian, which indicates my attitude of being a minority. Color and font will be blue and white as the sky of my hometown, but I will see if it is going to work well with the rest images.
b) Narration
As introduced by Hull and Nelson that the essential parts of a narration include orientation, abstract and a coda, raised by Labov (1997). In my DST, the orientation will be short with 2 sentences, telling the viewers that who I am. The abstract will bring the issue of my struggling identity. The body part will be focused on my experiences and changes from being afraid of admitting of being a Mongolian to being proud of it. The DST will end to emphasis why I am now proud of my nationality, partially due to my mom.
4. Limitations
a). As the story will mention a lot of my past experiences and my mom, it's hard for me to source enough pictures. We did not manage to keep pictures as we moved a lot and my mom died at a young age. Thus the images I have may not go well with the narration.
b). The song I chose is more than 4 minutes long, however, I plan the story should go around 3 minutes. I will try to cut the song shorter, but worrying the effects after that.
5. The deeper meaning of the DST
Even racial problem is never that serious in China, still minorities face challenges of being assimilated by the dominant Han people. I am a typical example. But how many people in China can realize the seriousness of losing the unique features of the minorities. And the Han people can never understand why some ethnic groups are so against the nationalization, in the name of helping us to be civilized. Deep in our heart, we just want to live a life belonging to us. However, that fact is minority groups are so weak in China nearly in every aspect and that's why Tibetan people are struggling. I am not going to address the issue explicitly, but hopefully it may arouse a little bit sensation on that.
Tuesday, March 16, 2010
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Hi Daisy!
ReplyDeleteYour selection of topic is very good as it is very close to your heart and this will be very evident when you do your narration.
The chosen modes will work well together, great work there!
As for your worry about the images not being able to express all the meanings of your narration - yes, it might be the case. However, would you be able to work around it? That is, would it be possible for you to pen down the major ideas/themes you would like your audience to feel and then sieve through your images and try to match them? Some images could be 'stretched' while you narrate a bit more, I think. May be that could work. You could use images of a bare tree (taken from the net) or vast plain fields of Mongolia to portray the emptiness/hardship/longing etc as well.
As for images of your mom, could you use a silhouette from the internet or picture of any item that belonged to your mom to represent her? Just some thoughts :)
Hi Daisy,
ReplyDeleteActually, I read your blog earlier but I did not give you a comment as I wanted to think through before I did so. The reason is that there are two points that I found sensitive to me, one is that it relates to your mum, someone so close to heart, and the other is the issue about Mongolians' plight.
I think that it is a great idea but at the same time a difficult one to handle because I can imagine the emotions that you will need to go through as you are developing and working on your story. Do you intend to show the story to a closed group or a larger audience? This may affect your storyline and choice of photographs.
About the limited photographs, I agree with Rachael that you may try to stretch or repeat some of the photographs in your story. Or you could try finding some paintings or artwork that may help to convey the message you intend - much like what we saw in the Tanya story.
Have fun with the story making/telling:)
Hi
ReplyDeleteI kinda agree with Chiayen, a sensitive personal story may have a lot of 'emotional pressure' on the writer. Like what Chia yen said, here it would be important to decide who the target audiencce is and I think that will help you sort out the images you want to share and use to convey meanings and communicate the emotional issues.
But I'm not too sure about the use of paintings or artwork cause for me if it's too abstract, it can lead to multiple meaning makings across readers from various cultures, etc and that would not be the impact you hope for....just a thought :)
Hi Daisy,
ReplyDeleteI find your topic very interesting!As for the images, perhaps, you might want to use those that you have, as indexical images with underlying meanings, leaving the viewers to unpack for themselves. Would be great if you could script your story first before attaching an image to each of them so that your thoughts are guided and that you’re more in control of the kinds of semiotic modes that you might want to include in the story….Just my two cents worth
-su
Dear all,
ReplyDeleteThank you very much for your ideas and concerns. As for the pressure, I can handle it, as it has been almost 17 years. I am kind of used to the loss. I will think about the suggestions you gave for the images. As I wor on it, I will find out what I lack of and try to source the replacemen.